After completion of Stage 1, 15 finalists have passed
on to the next stage:Summer School at the
London College of Fashion in July 2004

The spherical pods of the London Eye, the curve of the Gherkin, the suspension arches of a bridge, a Sikh temple and the twirled lamp at the entrance of the V&A museum.

These were just some of the London landmarks to inspire students at the first FAD Fashion Futures 2 workshops. They were asked to design a costume inspired by London architecture and then, over the course of seven Saturday morning workshops, to create a toile based on their design, charting their creative journey in a sketchbook and moodboard. The results, shown to judges on March 19th, were stunning.

Alexandra, for example, had created a jacket with off-shoulder rips inspired by the lines on buildings in the Angel Town estate and the London Gherkin. The workshops had taught her new techniques, Alexandra said, “such as how to make a jacket without using a template. It’s much freer if you cut the material draped round a mannequin.” Dhurata from Kosovo was inspired by the looping curls of the lamp at the entrance of the V&A, an idea she cleverly reflected by placing a cascade of mauve, pale and electric blue curled wires on the back of her floor-length dress.

This breadth of creativity impressed the judges. They also remarked on the extra work students had put in after hours. “To me this looked like a term’s worth of work,” commented judge Adrian Chappell from the Arts Learning Partnership. In fact students had had just seven weeks to design, plan and create their outfits plus the sketchbooks and moodboards. Designer Marie Loney who was a teacher at the workshops said students had exhibited “a real burst of energy” and over the seven workshops had “really grown professionally and creatively”.

The students praised FAD for the vital practical skills they had acquired and for teaching them to work under pressure. Nicola said she found it very helpful while making her bodice and shimmery wrap, to learn how to use industrial sewing machines. “It was the first time I had used an industrial machine, like the ones used in factories, and they go quite fast,” she said.

Referring to the talk given to FAD students by Sophie Clinch, head womenswear buyer at Asda, Nicola added, “I learnt a lot about the industry.” Asda will eventually sell two outfits designed by the winning FAD student for its teenage label George.

The 15 finalists chosen on March 19th will take part in a Summer School at the London College of Fashion in July 05 when they will create two outfits each. From these the George outfits will be chosen next September, during a fashion show leading to the 1st FAD Junior Awards. We wish them and all other students at the workshops, the best of luck.