My message to the fashion industry and to all institutions is to accept black people in their full form. Stopping black people from fully expressing themselves for who we really
Jewellery designers must be engaged with the world. Our objective is not merely to decorate the body and contribute to pleasant fashion. We make statements through our creations, often moral,
BLM Movement this year has brought up a lot of repressed memories of my lived experiences of racism in the UK. I am reflecting on my experiences as a British Indian
I was born and raised in London, a city that I consider home although my heritage and homeland is Ghana. The experience of living in a city such as London
Black girls simultaneously face the difficulties of racism and sexism; however, when combined with adultification, life becomes more challenging. Adultification is the objectification of black girls and the robbing of
The tote bag I have created is influenced by my first experience of racism that I can explicitly recall. I was around fourteen years old when I was told by
Being a first generation child of immigrant heritage, it is very important to bring light to the gravity of the impact of standards, conditions and environments my ancestors have endured;
I am your typical born and raised London girl. Yet, that sentence holds a different meaning depending on who you ask. Having grown up in South East London, as a
2020 is a tough year to be graduating. Lockdown interrupted final year student’s graduate collections, and left many without access to the support and equipment they needed to complete their
FAD & River Island collaborate to offer FAD alumni online mentoring during lockdown. We’re excited to share work from our #FADlovesRiver lockdown collaboration – where River Island designers mentored FAD students online,
