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Home :: FAD Competition :: Past Competitions :: 2008 FAD Competition :: The Brief | ||
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THE BRIEF
INTRODUCTION Beijing is to host the Olympic Games in 2008, London in 2012, therefore we look to China …………the land of ancient philosophers. They are responsible for the initiation of communication, and the first stamp, simply known as Dragon. They instigated the Art of Calligraphy – communication transmitted by sweeping brush strokes forming inky black characters on a surface. They discovered the medicinal use of herbs, flowers and trees to form an infusion, known as tea. They created an architectural landscape to reflect and shape their history to include the iconic Pagoda. The flat city of Beijing contains The Forbidden City and the Summer Palace with its "Jade Belt Bridge". They are an integral part of the Silk route and its journeys to the west as the explorer Marco Polo exposed on his travels and explorations. What is the Art of Calligraphy? It is not necessary to know what the word is. What makes it Art? What is a Pagoda? What is silk?
In China there is a legend that the discovery of the silkworm's silk was made by an ancient empress called Xi Ling-Shi (Chinese:; pinyin: Léi Zǔ). She was drinking tea under a tree when a cocoon fell into her tea. She picked it out and as it started to wrap round her finger, she slowly felt a warm sensation. When the silk ran out, she saw a small cocoon. In an instant she realized that this cocoon was the source of the silk. Download a copy of "The Brief Timelines" PDF for your reference THE CITY - BEIJING THE SYMBOLS THE TIME ZONE – 8 HOURS THE LATITUDE AND LONGITUDE – 39 55 N/116 26 E THE ARCHITECTURE – THE PAGODA THE ERA - THE PAST, PRESENT AND FUTURE THE TRADITIONS – THE TEA CEREMONY THE ART - THE ART OF CALLIGRAPHY THE COLOURS – CHARCOAL, RED, INK, SNOW, YELLOW THE DESIGNER - BASSO AND BROOKE THE YEAR OF THE… - 2008, BROWN EARTH RAT THE FILM - CROUCHING DRAGON, HIDDEN TIGER
PART i IN THIS INSTANCE WE LITERALLY TAKE THE STRUCTURES AND BLUEPRINT, (provided) OF THE CHINESE PAGODA IN KEW GARDENS, (BUILT BY SIR WILLIAM CHAMBERS IN A PERIOD OF FASHION OF CHINOISERIE) AS OUR PATTERN FOR THE GARMENT.THIS WILL INITIATE A NEW NAME FOR A NEW GARMENT AND YOU WILL BE MAKING HISTORY ON THE TIMELINE. THE PAGODA HAS THESE STRUCTURAL DETAILS. WHEN DESIGNING YOUR AMAZING GARMENTS,WE ASK YOU TO BEAR IN MIND FAD’S ETHOS AND RETAIN THE DIGNITY OF THE WEARER.
ACTIVEWEAR USING A LIMITED COLOUR PALETTE AS STATED IN THE LIST YOU ARE ASKED TO CONSTRUCT THE FOLLOWING: OUTFIT 1: "CALLIGRAPHY: PARALLELS" WE LOOK AT THE SPINE OF THE PAGODA’S STRUCTURE AS THE SPINE OF THE OUTFIT. YOU MUST INCLUDE SOME REFERENCES TO THE ART OF CALLIGRAPHY AND THEIR CHARACTERS IN SOME FORM AND INSERT WHERE APPLICABLE.
WE LOOK TO THE MODERN ART OF COMMUNICATION, TEXTING, FORMED BY TYPING CHARACTERS ONTO A SCREEN AND THEN TRANSMITTED THROUGH THE AIR BY FREQUENCIES. YOU ARE ASKED TO METAMORPHOSE THE PREVIOUS OUTFIT BY THE ADDITION OF 3 MORE LAYERS TO CREATE A SIGNIFICANTLY ALTERED LOOK, I.E. A PARADOX: HARMONY AND JUXTAPOSITION. THE 3 LAYERS WILL POSE AS A METAPHOR FOR 3 CHINESE SYMBOLS THE LAYERS WILL TAKE THE FORM OF A SASH OR BELT, USED IN ANCIENT CHINA TO HOLD A DAGGER OR SWORD, AND NOW IN THE 21ST CENTURY TO HOLD A MOBILE PHONE OR BOTTLE OF WATER. ‘Marco Polo, The Travels’, translated by R. Latham, Penguin 1958 (only available in libraries) ‘China Costume in Transition’ by A.C Scott, published by Singapore Donald Moore 1958 ‘A Pictorial History of Chinese Architecture’ MIT Press, 1984 ‘Architectural Encounters With Essence and Form in Modern China’ by Peter G. Rowe, Seng Kuan - 2002 ‘The Classic of Tea’ by Francis Ross Carpenter ‘The Art of Chinese Calligraphy’ by Jean Long
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